Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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REMBRANDT Harmenszoon van Rijn
Facob blessing the Sons of Foseph (mk33)

ID: 24522

REMBRANDT Harmenszoon van Rijn Facob blessing the Sons of Foseph (mk33)
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REMBRANDT Harmenszoon van Rijn Facob blessing the Sons of Foseph (mk33)


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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Portrait of an Elderly Woamn | The Descent from the Cross | Oopjen Coppit | Portrait of Gerard Pietersz Hulft | Beggars receiving alms at the door of a house |
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Michael Dahl
Swedish Baroque Era Painter, 1659-1743,Swedish painter, active in England. He studied under Martin Hannibal (d 1741) and later with David Kl?cker Ehrenstrahl. In 1682 he travelled to London, where he became acquainted with Godfrey Kneller and Henry Tilson, and in 1685 he left for Europe with the latter, working briefly in Paris before proceeding to Venice and Rome, where they stayed for about two years. In Rome Dahl converted to Roman Catholicism and gravitated towards the circle of Christina, former Queen of Sweden, who sat for him (Grimsthorpe Castle, Lincs). He returned to England with Tilson via Frankfurt and arrived in London in 1689; he stayed in England for the remainder of his career.
Martin Johnson Heade
American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers. Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987. The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school." According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter. Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."
TERBRUGGHEN, Hendrick
Dutch Baroque Era Painter, ca.1588-1629 Dutch painter, a leading member of the Utrecht school. He was a pupil of the history painter Bloemaert before living (c.1604?C14) in Italy. Crowning of Thorns (1620; Copenhagen) is his first known dated work. Like his contemporaries Honthorst and Baburen, he was largely influenced by Caravaggio, although an awareness of D??rer and Lucas van Leyden recurs throughout his work. His intimate and restrained genre compositions foreshadow in coloring the work of Vermeer. Many of Terbrugghen's paintings are nighttime genre scenes. His work is represented in the major European museums. Typical examples are his St. Sebastian (Allen Mus., Oberlin, Ohio), Old Man Writing






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